The method of construction is mainly trial and error. We gradually translate the structural concepts found on individual objects and small-scale combinations into larger scales. In this iterative process, we simulate the equilibrium of everyday objects with body postures while testing different combinations to direct and carry the forces felt in our body by holding, pushing, or pulling. In addition, hand-drawing and graphic statics are used as primary analytical tools. On the one hand, the relationship between form and force is immediately perceived through the moving eye and hand in the process of hand-drawing. On the other hand, it is further abstracted and elaborated through graphic statics, a geometry-based graphical method.
In this workshop, we were given a rare opportunity to use some of the components of the white pavilions being dismantled, such as pipe, water sink, and window. By weaving them into a completely different constellation, subverting their structural and functional character, we attempt to give them new relevance and vitality.
The uniqueness of this workshop lies in the way we simultaneously observe, analyze, and construct two modes of equilibrium: the physical and the psychological. In other words, if a diagram of graphical statics can be closed, or if a stack of everyday objects can be prevented from collapsing during exploration, we will have achieved physical equilibrium. But we are also concerned with psychological equilibrium: do these objects seem stable, or are they in danger of collapsing? Furthermore, what are the messages they are delivering? Do they invite us to interact in certain ways while prohibiting another? Do they still remind us of their social and cultural functions while creating another? Our goal is to become choreographers of sights, bodies, winds, memories, and meanings, stabilizing structures while revealing and even shouting out their hidden tensions.
By constructing multiple equilibria, we can realize the motto of Structural Behaviorology: to structure feeling and to feel structure.
Collaborator: Yue Zhao, Tazuru Harada
Exhibition Period: 29 August - 16 September, 2022